Liminal Lives Showcase




Collectively, we are in a liminal space; between pre-covid and post-covid, as we move through and out of lockdown. Liminality comes from the Latin word līmen, meaning ‘a threshold.’ Liminal Lives was a postal project aiming to bring individuals together to counteract social isolation during the Covid-19 pandemic and socially distancing measures.


Liminal Lives was organised by Isabel McLeish as part of her graduate internship and was an opportunity to be part of a Scotland-wide socially engaged art project. Isabel had been painting during lockdown and using imagery of the remote islands of St Kilda as a visual metaphor for her experienced isolation during the pandemic.

Catriona Ross


'I've been recording the routes I've taken during my evening walks in lockdown.

Working within the confines of Covid-19 & a tourist map of my new hometown, I traced my walks, building up lines, documenting loops, crossed paths & dead ends.

I've reduced my map to postcard size, making the lines denser & less clear, experimenting with the way the quality of a picture degrades (or evolves) with prints of prints on the photocopier.

Using found materials to print onto adds another element of chance.
I'm interested in exploring the balance between the control of outcomes & of letting go.

The ephemeral nature of Mail Art appeals to me & the way the end result is determined by outside influences once it has set out on it's journey.'

- Catriona Ross, Lanark, South Lanarkshire

Suzie Eggins


'I’ve always enjoyed the quality of simplicity in art, but lately I’ve felt a real need for it.
With Covid in society at the moment, nothing in daily life is simple. Even a wee trip to the local shop brings up a complex range of emotions.

I’m finding solace in simple creative gestures, in drawing with basic shape form and colour. I love the feeling of the wooden pencil in my hand scraping across paper... it keeps me in the present moment, brings me joy and is quietly life-affirming.'

- Suzie Eggins, Edinburgh

Matthew Wickham


'Boo is doing all he is able to combat THE ENEMY…


Boo Simulacrum, performance persona, alter-ego, avatar (and so much more) of the artist Matthew Wickham has, since the advent of THE ENEMY, known as COVID-19, roamed the primordial forests with his fox familiar, voyaged the savage oceans and flown the Four Skies with the Hounds of Heaven. His mystic quest: to locate and vanquish this LURKER ON THE THRESHOLD in somatic form..


Boo is a Shaman, the re-incarnation of a Palaeolithic ‘Sman’: a man of power, a warrior. He perpetually inhabits the boundary state, the twilight, the interstices between this World and the abstract Realm of Thoughts and Dreams. He is a creature of the hypnogogia, or of the liminal, if you will.


Here we see that in the High Wastes of the World, Boo has finally run THE BEAST to ground. Having imbibed potent decoctions of certain herbs and fungi, and having also assayed the normal modus operandi of casting quartzite pebbles into the body of THE DEAMON, and the incantation of certain words of power, he has no recourse but to employ the use of his most powerful tool of all: the Vulpine Wand!'

- Matthew Wickham, Strathcarron, Wester Ross

Deborah Wickham


'From the darkness of my temporary cage, I hear the call of the wild... As I venture out into this brave new world, darling, leave a light on for me...'

- Deborah Wickham, Strathcarron, Wester Ross

Hannah Myers

'For me, lockdown was a time for inner demons to come out and inner growth to accelerate. Now that we were confined to our homes for most of the day, there was a lot of time for inner exploration and reflection on our thoughts and emotions. My postcard vividly illustrates one of my inner demons stumbling amidst the dizzying swathes of internal turmoil whilst trapped inside. I chose to print my image in the format of a smartphone's "selfie" orientation and dimensions; a nod to the transition to video chat being the main form of face-to-face communication with people outside of our homes during these bizarre times.'

- Hannah Myers, Kyle of Lochalsh

Evija Laivina

'During lockdown,  my youngest daughter was crossing out each day in her calendar on the wall with large black crosses. The feeling of being trapped was scary for us adults  but it must have been so much scarier for children. So many questions and confusion.  Suddenly we all were behind the windows, counting days and dreaming about escaping this scary and unpredictable reality. The pink planes hold beautiful dreams on their wings. The hope helps to get through everything.'

- Evija Laivina, Inverness

Emmajane Kingaby

'I began to question our relationship with technology and its use in daily life; questioning positive and negative impacts of an increasing technological world.
Is technology an aid or is it controlling us?
Are we isolating or connecting through technology?

Aiming to connect to the outer world from my own isolation; I step into my binary box, located on the edge. Am I becoming a prisoner to self?

I question if we have become obsessed within our own virtual world; that we put up barriers that prevent us connecting with people face to face in our real world.

I now observe how technology has enabled us to connect with each other during this strange time of isolation.

Initially I explored a stronger, critical view of how technology isolates us from the real world. Following the COVID19 pandemic I think technology has become a life line within our isolated lives. Our only connection to our real lives.

- Emmajane Kingaby, Aberdeenshire

Emmajane Kingaby

'Questions around isolation as we live within our binary boxes; how could we have survived the last four months without our digital tools? Without our digital eyes? Digital ears? Our digital finger tips?

Technology has become a life line within our isolated lives. Our only connection to our real lives.

Our senses replaced though an extended body of technology; webcams, microphones and touch sensitive screens. Technology was our only way of experiencing the world; we were inside our binary box. As we reach out to connect with others through our devices; our technology evolves. Will we as users evolve? Will the post technology human: only need two fingers to swipe; a USB port to connect their ear?
Has our relationship with technology changed forever?
Was this a moment of evolutionary acceleration?
As we enter a 'New Normal' we have been accelerated into a further digital dependent life.

- Emmajane Kingaby, Aberdeenshire

Carla Smith

'I am currently studying contemporary art practice at Grays school of art. When I saw the title of this open call project I was very intrigued as last semester I completed a project about liminality and I was trying to capture liminal moments. Previously I thought of liminality as a still thing, frozen moments in time, however 2020 has changed my understanding of the word. 2020 has been a year of constant change and a sort of continual rapid liminality. 


For my postcard design I made a collage of news photos from this year. The collage has two layers to it, a solid layer underneath and then a layer which uses tracing paper as a base for the printing. I wanted to do this so that some of the images were half visible, trying to help convey the idea of a threshold. 


Much like everyone else, I am missing life before lockdown and being able to meet up with and see people freely. I think that human contact and social interaction is so important and not being able to have this changes the way we feel and our relationships work. The way we communicate has changed so much over the previous months and I wanted this to show in my postcard. I added the text, sending hugs to the postcard because in a way it is the closest to a physical hug as possible right now.'

- Carla Smith, Edinburgh

Rory Brown


'A threshold can be put in place for a many manner of places, objects and subjects. When looking at what is going on with the world’s current situation I feel the threshold for the covid-19 guidelines are too unspoken/disregarded. So while creating this postcard an idea to have a bin truck picking up bags of covid-19 on one side and the other being a bar/club ignoring the guide lines that have been put in place, expect the doorman staff.

The point in doing this is to show no matter how tight a threshold you place on keeping the world safe people will disregard the guidelines with these places still open. To reiterate my idea of how things are taking place currently a simple multiple choice question was placed on the front and back asking the observer “who can fix this".'

- Rory Brown, Aberdeen

Grace Ireland


'The idea of survival during these times is basic. Grace Ireland has been looking at the simple rules & regulations we were given to survive and how these guidelines were drip fed through complex headlines and misinformed MPs. We were forced to read between the lines instead of watching our Government coming together and working as a functioning society. Normality is a thing of the past, since we left our nurses on the front line and made them pay for parking. Would we still be suffering if the Government enforced restrictions sooner? Or would we still be living in pandemonium?'

- Grace Ireland, Aberdeen